Comprised of released singles, unreleased tracks, and works for installations, this 8-track album is incredibly organic and transports the listener on a deep journey into darkness, with cinematic obscure sounds and sepulchral drums, ancient rituals for this new era, Crowleyan influences and suggestions from the deep space.
Silent Chaos‘ composition is based on performative improvisation framed in a pre-decided structure, thus their sound appears organised even if unpredictable, with ever-changing textured drones that hypnotise the listener.
Compact Disc (CD) + Digital Album
2 panels Digipack, glossy finish, with a 12-page booklet. Each page features a digital painting inspired by a track. The artwork has entirely been created using Midjourney AI, then manipulated and assembled by NoOne.
Includes digital pre-order of Pure Chaos. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
shipping out on or around January 23, 2023
NoOne (modular synth, voice, autogenerative, sound and fx programming, chaos) Ugo Vantini (loops, electronic percussions, evolving sounds, field recordings manipulation, synthesised cymbals)
Silent Chaos “Pure Chaos”: performed, recorded, mixed and mastered by Silent Chaos
Artwork by Silent Chaos + Artificial Intelligence, digipack format, 12 pages booklet
Yet, despite pandemic, post-lockdown and lockdown again, the multi-instrumentalist from Vicenza (an all-around artist with more than 80 albums to his credit, including collaborations and project sides) has continued to manipulate and experiment music, sending his new Confinement record creature, released on October 31st for the British label We Don’t Give A Fuck.
What better title to represent and depict the thematic core of the release and the historical period of social isolation, and not only that, which we have been experiencing for almost a year now. Confinement, as confinement, confinement and imprisonment of the mind, emotions, our nature and our individual and collective identity freedoms.
One wonders if that of Daniele Santagiuliana (who for the occasion sets aside every type of monicker) is the attempt of those who want to put their demons on a leash, of those who want to free them once and for all, or of those who, instead, feel the human urgency to disconnect from the contemporary world.
Likely, the above transcendental issues could all be valid. On the other hand, what Daniele proposes is not a genre of humoral art that goes well with moments of cheerfulness and lightheartedness. Far from it. It can be considered more as an outpouring, denial and social protest of the human being against pre-established conformism and the incommunicability of the present.
We are therefore talking about a gloomy artistic form with sinuous features, with fluid and cinematic contours, characterized by instinctive, lacerating and visionary Kafkaesque brushstrokes devoted to the obscurity of the sickness of living and the literary loneliness of cursed poets, and above all of the sounds of not easy to enjoy: in short, forget the Moltheni-style “pop” melodic lines, to understand.
The eight tracks of Confinement project us into a psychotic, disturbed, dystopian and cathartic dimension, highlighting an aesthetic deconstruction made of experimental electronics, breathtaking glitches, ambient shades and dronic frequencies, between background hums, baritone flows of consciousness and dark illuminations. and fleeting that seem to come from the memories of an indefinite time.
Santagiuliana’s sonic, visual, theatrical, psalmodial and solemn expressionism expands through the reflected and never entirely clear light of a melancholic, anguished, anxious and nihilistic photographic perspective, dragging and ferrying the listener into the Strindbergian metropolitan underworld, in contrast between the natural and mediocre surface of things and the supernatural abysses of everyday life, the latter depicted as an enormous and decadent carnival of floating souls and dying horses.
Entering the musical world of Daniele Santagiuliana means finding oneself in the presence of a stylistic mantra devoted to sound research, to spiritual suffering, to existential torment, to that liturgical tension that comes from internal malaise and that sinks the nails into the translucent contemplation of the most hidden layers of our Self.
Daniele Santagiuliana, born 8th December 1983, 10:30 PM, he dwells in creating ambiences and painting apparently primitive figures. He appeared in more than 70 albums under his name and various monikers.
Huge fan of Angus MacLise, Alan Lamb and Austin Osman Spare. Loves cities and morning sunlight.
Listening to the sound of old telegraphs, dying batteries, surreal repetitions Empty crossroads by 11PM I want to replicate the nocturnal shriek Made of electricity
All signals points towards ZEBRA And I’m just taking notes This is my diary.
RVDRA is the new project by Italian Hard Trance producer B. R. K. aka Marko Anzu. Released under the sign of Aquarius ( K-11 ) the concept standing behind the Death Blues sound of RVDRA is related to the destruction of the limited boundaries of ordered creation of life. Any of the tracks of KVRV! KVRV! KVRV! is a mantra for a vortex generating the wave of the void of the life of death. Raising the power of the nihilistic individualism to exorcise and evocate the primitive force of rage through the most furious inner daimon with the aim to create a tool of shamanic magic in its most violent ritualistic form where the present is the future past.
THROUGH THE LIFE OF DEATH AND THROUGH THE DEATH OF LIFE.
All vocals, instruments, arrangements, programming and rituals are conceived, composed, performed and recorded by Marko Anzu at KILANA studio between July 2017 and July 2018.
Mixed and mastered at JUNGLE MUSIC FACTORY during March 2019 by Francesco Grammatico.
We are very much excited for our long waited independent, obscure and hopefully irritant record label • We Don’t Give A Fuck • to see the light today!
Today starts the preorder of the first release: a powerful, dark, desertic and primordial EP: “KVRV! KVRV! KVRV!” by RVDRA, the new project of Marko Anzu.
Released under the sign of Aquarius ( K-11 ) the concept standing behind the Death Blues sound of RVDRA is related to the destruction of the limited boundaries of ordered creation of life.
Any of the tracks of KVRV! KVRV! KVRV! is a mantra for a vortex generating the wave of the void of the life of death.
Raising the power of the nihilistic individualism to exorcise and evocate the primitive force of rage through the most furious Inner Daimon with the aim to create a tool of shamanic magic in its most violent ritualistic form where the present is the future past.
The Son born from the womb who will generate himself within the essence of the Mother. The Creative Force, Uranus, the Black Dragon, the magnetic force of the planetary conditions which are poured out in the Nuclear Cosmos of the individual from whom electricity and primordial water gush into the Cosmos beyond the Self and into the Anticosmos. The Son who is one and two within one. Generating force of primordial Kaos as a psychoactive condition of the individual. The driver of action and force of Luciferin genesis, expressed in the act of fulfilment of the plastic material of thought, in the form of electrical conduction.
Crucial atomic war in the chromosomic production of the black vortex, expressed in the cell nucleus for which the force of Kaos within the electrical current, in its form of the thunderbolt of creation, is scavenged and performed again as in an Ouroboros. An atavism in the awakening induced as the most obscure and mechanical of the zombie-like conditioned reflexes. The condition of existence for which we exist as an abyss. The Vimana of ourselves, where we become sons, as we are energy generators under will. Electricity is apt to cross the universe B in the wormhole of our unconscious, between the jaws of the Black Jackal, The Shugal.
The opponent of the material habit, which is bearer of Black Light, Lapis Niger of Gnosis, the rebel that dominates in Uranus in the strength of the destructive creativity of plebeian ignorance, where fear is the seed of the eternal fight against the true Self, expressed in the condition of original sin and in the abnegation of the strength of the Self as antagonism of the false by law of nature. The revolution expressed in the evolution of the extinction of the bulwark, represented by the limit of the simple flesh, conveyed in surrender as an end in itself in the attribution of thievery of force in the expiation of the guilt to exist. The Inner Daimon, the V.I.T.R.I.O.L, Lapis Niger, Luciferian generator. A specular reflection within the darkness of the unconscious, in the desert of Seth that lies inside our remote but close identity and entities, our true eye of diamond, the end of the rainbow for which nothing is true, everything is permitted.
KVRV//KVRV//KVRV is the Totemic Hymn to the Life Of Death in the year 2Ω2Ω.
All vocals, instruments, arrangements, programming and rituals are conceived, composed, performed and recorded by Marko Anzu at KILANA studio between July 2017 and July 2018. Mixed and mastered at JUNGLE MUSIC FACTORY during March 2019 by Francesco Grammatico.
