MACRO

Silent Chaos – Nocturne on Ganimede video

Silent Chaos – Nocturne on Ganimede from “MACRO“.

The vision from other worlds of impossible perspectives. The expansion of dimensions intersecting in emotional labyrinths. The journey continues into unknown universes.

“MACRO” is the second, long due, part of the project “micro//MACRO”. The music on “MACRO” is the evocation of archetypes buried in the collective unconscious, shown in a new emotional light. The use of electronic tools, such as modular synthesizers and electronic drums that control loops, samples and field recordings, offers to Silent Chaos a wide sound palette, from which Silent Chaos draw to define their personal stylistic framework. Each composition determines a special universe in which crop up echoes of musique concrete, choirs, tribal sounds, noise and ambient, in sound experiments that envelop and surprise even those not accustomed to listening to these genres.

Video made by Marta NoOne in Touchdesigner

Silent Chaos’ new album MACRO out now

Silent Chaos‘ new album MACRO is out on WDGAF label for the Spring Equinox 2Ω2Ω – the end of the Old Era, the start of the New Aeon.

“MACRO” is the story of a journey, the one that takes the spirit from the Microcosm (as in the album “micro”) – where is staged the destruction of the worldly self that allows access to the Mystery – to the Macrocosm, in which, recognized the self and the world limits, the Intellect is pushed toward unknown horizons, with the terrible and sublime purpose of making the deconstruction of the Whole, to finally reconstitute itself as a primordial Adam.

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Silent Chaos’ new album MACRO out on 20 March 2020

Silent Chaos “MACRO”
out on 20 March 2020 for WDGAF label
silentchaos.co.uk

“MACRO” is the second, long due, part of the project “micro//MACRO”.

The music on “MACRO” is the evocation of archetypes buried in the collective unconscious, shown in a new emotional light. The use of electronic tools, such as modular synthesizers and electronic drums that control loops, samples and field recordings, offers to Silent Chaos a wide sound palette, from which Silent Chaos draw to define their personal stylistic framework. Each composition determines a special universe in which crop up echoes of musique concrete, choirs, tribal sounds, noise and ambient, in sound experiments that envelop and surprise even those not accustomed to listening to these genres.

Continue reading →